Let's Eat Cake — 1789

And beneath it, in bold gestural script that takes up half the canvas: Let's eat cake. 1789.

The year is not incidental. It hangs there like a punchline.

Painted in loose, confident oils with a whimsical illustrative hand, the work blends Rococo extravagance with modern irreverence. The queen is outlined in crisp white — almost cut-out, almost cartoon — as if she's been lifted straight from history and dropped, unbothered, into the present. The palette is powder-soft and delicious: blush, sky blue, cream, and that unapologetic red chair.

This is Marie Antoinette as she'd want to be remembered — not as a tragedy, but as a mood.